Download Strange New World: Sex Films of the 1970s by Jon Abbott PDF

By Jon Abbott

(Black and white / 710 pages / grownup content material and robust language) 


To examine the realm of the earlier via motion pictures could be a sobering perception into how issues have replaced, yet to examine the realm of the 20 th century via intercourse movies is to witness an international that's virtually inexplicable. In no decade is that this adventure weirder than the Seventies, and but it's lower than part a century long ago. used to be society rather so unusual and diversified simply 40 years ago?These motion pictures have been frequently no longer pornography, as we comprehend the time period. yet what have been they? Who made those movies and why, and who have been they made for? What did they are saying then, and what do they let us know now? in certain cases, what have been we thinking?? yet in others, what have we misplaced? not anything even remotely like those movies is being made at the present time. What has changed them, and the way, and why?JON ABBOTT, born in 1956 and within the Nineteen Seventies, seems to be again on the period via over 2 hundred movies exploiting intercourse and nudity, a few of which he enjoyed, and a few of which he... cherished a bit less! 
 This opinionated and fact-filled heritage seems to be on the unusual new international that adults of either sexes and every age chanced on themselves in in the course of the Seventies and surrounding many years, from the Fifties to the current day.It seems at motion pictures from everywhere in the international, together with the US, Britain, France, Italy, Sweden, Germany, Spain, Czechoslovakia, China, and Japan, at sci-fi, horror, crime thrillers, comedies that were not humorous, and serious-minded motion pictures that have been hilarious.Some of the best-known masters of sexploitation are good represented--Stanley lengthy, Greg Smith, Joe Sarno, Russ Meyer, Mac Ahlberg, Jess Franco, Jean Rollin, Tinto Brass--as are a number of the intercourse motion pictures' most lovely and prolific practitioners--Sylvia Kristel, Gloria Guida, Lina Romay, Maria Forsa, Edwige Fenech, Felicity Devonshire, Christina Lindberg, Joelle Coeur... and such mainstream motion picture names as Jane Fonda, Jenny Agutter, Julie Christie, and Pam Grier.
 JON ABBOTT has been writing approximately movies and television for over thirty years in various guides, alternate, populist, and professional. this can be his 5th e-book.

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Strange New World: Sex Films of the 1970s

(Black and white / 710 pages / grownup content material and robust language)  To examine the area of the prior via motion pictures could be a sobering perception into how issues have replaced, yet to examine the area of the 20 th century via intercourse motion pictures is to witness an international that's virtually inexplicable. In no decade is that this adventure weirder than the Nineteen Seventies, and but it really is below part a century some time past.

Extra info for Strange New World: Sex Films of the 1970s

Sample text

Some things are eternal: love of life, fear of sex and the consequences of sex, lust, hypocrisy, morality, exploitation, commerce, desire, voyeurism, beauty, ugliness, prudishness, the desire to shock and be shocked, the need to laugh and love. Nothing has really changed, only our attitude. And yet, because of that, everything has changed, and in a very short space of time. Two films from France in this book took twenty-five years to get a release. And the 1970s could have no more accommodated College Rules and Dare Dorm any more than the present day could tolerate Some Like It Sexy, The Sex Thief, or The Cheerleaders.

In the first ten minutes alone, after a wonderfully corny spoken intro about the dangers of difficult women, we have seen go-go dancing, drag racing, clothed-skinnydipping (an oxymoron, I know, but the only way to describe it), and cat-fighting in and out of the water. They’re like an evil, anti-matter, mirror-world version of Charlie's Angels, and Jack Moran’s witty but improbable dialogue (pure undiluted comic-strip balloons), the jazzy music, the bad acting of the three girls (shamelessly cast for their figures), and Meyer’s surly misogyny and lowbrow tastes (for example, the klunky comedy music hammering home the garage mechanic’s purpose as comic relief) only add to the camp absurdity of it all.

The women in The Immoral Mr. Teas, when they eventually disrobe, are beautiful, astonishingly so given the standards of most nudie films of the era, and the stifling corsets, ghastly swimwear, and lumpen lingerie of the day. Beach girl Ann Leslie looks like she slid off the decal on the side of a WWII airplane, while the three women in the film’s main fantasy sequence (all seen clothed and equally appealing in the lengthy lead-in footage) are female perfection (some of Meyer’s later models, cast purely for the size of their breasts, were less so).

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