Download Enchanted Evenings: The Broadway Musical from 'Show Boat' to by Geoffrey Holden Block PDF

By Geoffrey Holden Block

This new moment version of Enchanted Evenings bargains theater fanatics an illuminating behind-the-scenes journey of a few of America's top enjoyed, so much famous, and such a lot enduring musicals. Readers will locate such all-time favorites as exhibit Boat, Carousel, Kiss Me, Kate, men and Dolls, My reasonable girl, West facet tale, Sweeney Todd, Sunday within the Park with George, and Phantom of the Opera. Geoffrey Block presents a documentary historical past of every of the musicals, exhibiting how each one paintings took form and revealing, even as, how the yank musical advanced from the Nineteen Twenties to this present day, either on level and on monitor. The book's specific concentration is at the song, supplying a wealth of aspect approximately how librettist, lyricist, composer, and director interact to form the piece. Block additionally comprises trenchant social remark and vigorous behind the scenes anecdotes. Jerome Kern, Cole Porter, the Gershwins, Rodgers and Hart, Kurt Weill, Rodgers and Hammerstein, Lerner and Loewe, Frank Loesser, Leonard Bernstein, Stephen Sondheim, Andrew Lloyd Webber, and different luminaries become hardworking craftsmen less than huge, immense strain to promote tickets with no compromising their dramatic imaginative and prescient. the second one variation encompasses a tremendously accelerated bankruptcy on Sondheim, a brand new bankruptcy on Lloyd Webber, and new chapters at the movie diversifications of the most musicals featured within the textual content (including such difficult to discover movies because the unique 1936 model of something is going and the 1959 movie edition of Porgy and Bess). filled with info, together with an entire discography and plot synopses and song-by-song scenic outlines for every of the fourteen indicates, Enchanted Evenings is a necessary reference in addition to a riveting heritage. "A sturdy and engaging paintings that are supposed to turn into a version of ways to enquire and document at the evolution of a musical. Block's examine is persuasive and his writing brilliant

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Additional info for Enchanted Evenings: The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber

Sample text

Sometimes the creative problems posed by musicals seem to find solutions by opening night or shortly thereafter; other problems remain for the life (and afterlife) of the show. When source materials permit this type of an inquiry—and some musicals were selected for this survey in part because they left conspicuous paper trails—the present study will examine how unpublished compositional materials (such as early libretto and lyric drafts, musical sketches, and letters) support or contradict more widely available published memoirs, interviews, and retrospective panels of creative participants.

McGlinn’s other “restorations and re-evaluations” are less convincing on historical grounds. Dropped from both the Harms score and the 1927 production were two numbers, “I Would Like to Play a Lover’s Part” (originally placed at the beginning of act I, scene 5) and “It’s Getting Hotter in the North” (act II, scene 9). ” called “Kim’s Imitations,” performed by the original Magnolia, Norma Terris, who was made up to look like her daughter Kim and performed impressions of famous vaudeville stars. Since Kern did not wish to include this discarded material in the vocal score (and it was in response to Kern’s wishes that McGlinn reinserted “Mis’ry”), its presence in the body of McGlinn’s recording is questionable.

Act II, scene 7). 30 Even the overture was new, a more traditional medley-type version to replace the “Mis’ry”-dominated overture of the 1927 production. ” Photograph: Graphic House. Museum of the City of New York. Theater Collection. For a film still of this scene see p. 159. already been replaced by “coloured folks” in the 1928 London production. 31 Kreuger, who briefly discusses these changes, does not mention the elimination of local color (including banjos and tubas) and comedic elements such as Cap’n Andy Hawks’s introduction of Rubber-Face Smith in the opening scene.

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