Download Bad Seeds and Holy Terrors: The Child Villains of Horror by Dominic Lennard PDF

By Dominic Lennard

Examines the complexities and contradictions that come up whilst the monsters within the video clips are children.

because the Fifties, young ones have supplied a few of horror’s superior and enduring villains, from dainty psychopath Rhoda Penmark of The undesirable Seed (1956) and spectacularly possessed Regan MacNeil of The Exorcist (1973) to psychic ghost-girl Samara of The Ring (2002) and followed terror Esther of Orphan (2009). utilizing a number of severe ways, together with these of cinema reviews, cultural experiences, gender reports, and psychoanalysis, Bad Seeds and Holy Terrors bargains the 1st full-length learn of those baby monsters. In doing so, the publication highlights horror as a subject matter of research that's in particular pertinent socially and politically, exposing the style as a domain of deep ambivalence toward—and even hatred of—children.

“Deftly prepared, elegantly written, and graced all through with various stills and body blowups, Bad Seeds and Holy Terrors has anything to provide either the lay reader and the scholar.” — CHOICE

“This is impeccably good researched and offered. It holds its personal on the best of movie stories scholarship. Sprightly in its survey throughout key parts of cultural nervousness and ready to draw on a spread of lucid examples, Lennard produces subtle and complicated prolonged analyses the place important. A excitement to read.” — Linda Ruth Williams, collage of Southampton, uk

Show description

Read or Download Bad Seeds and Holy Terrors: The Child Villains of Horror Film PDF

Best movies books

Public Enemies, Public Heroes: Screening the Gangster from Little Caesar to Touch of Evil

During this examine of Hollywood gangster movies, Jonathan Munby examines their debatable content material and the way it used to be subjected to continuous ethical and political censure. starting within the early Nineteen Thirties, those motion pictures advised compelling tales approximately ethnic city lower-class wants to "make it" in an the US ruled by means of Anglo-Saxon Protestant beliefs and devastated via the nice melancholy.

Beyond Dolby (Stereo): Cinema in the Digital Sound Age

On account that electronic encompass sound expertise first seemed in cinemas twenty years in the past, it has unfold from theaters to houses and from videos to tv, track, and games. but while five. 1 has turn into the normal for audiovisual media, its influence has long gone unexamined. Drawing on works from the previous 20 years, in addition to dozens of interviews with sound designers, mixers, and editors, Mark Kerins uncovers how five.

San Francisco Noir

Fresh tales through: Domenic Stansberry, Barry Gifford, Eddie Muller, Robert Mailer Anderson, Michelle Tea, Peter Plate, Kate Braverman, David Corbett, Alejandro Murguía, Sin Soracco, Alvin Lu, Jon Longhi, Will Christopher Baer, Jim Nesbit, and David Henry Sterry. San Francisco Noir lashes out with hard-biting, all-original stories exploring the shadowy nether areas of scenic "Baghdad by way of the Bay.

Strange New World: Sex Films of the 1970s

(Black and white / 710 pages / grownup content material and powerful language)  To examine the area of the earlier via movies could be a sobering perception into how issues have replaced, yet to examine the realm of the 20 th century via intercourse movies is to witness a global that's nearly inexplicable. In no decade is that this event more odd than the Nineteen Seventies, and but it really is under part a century some time past.

Additional resources for Bad Seeds and Holy Terrors: The Child Villains of Horror Film

Sample text

In my fifth chapter, through in-depth discussion of this film, I discuss the child villain’s relationship to changing discourses of parenting and child autonomy in late modernity as well as note a resurrection of anxieties over children’s familiarity with mass media. My approach to children in horror places unique emphasis on the socially determined structure of paternity (a greatly overlooked theme of modern horror), and in my sixth chapter I analyze The Omen (one of the most renowned of evil-child films), particularly its challenge to the nature of fatherhood, before moving on to explore the child’s role in sustaining and naturalizing dominant ideology.

William Paul loosely attributes later films to the troubling visibility of youth culture in the 1960s and 1970s. For him, a film like The Omen “confirms a sense of the child as being actually alien to its family,” and he notes that “this truth seems to have particular resonance for this period” (326). By this era, anxiety over youth had been funneled into a cinematic form, where it could continue to alarm the social scene with challenges to definitions of childhood while evading reflection on the constructed nature of childhood itself.

The juvenile officer fatalistically identifies a broader social problem that lies outside Jim’s own negativity, thereby sympathetically normalizing his teenage angst. ” Jim asks him. ” Conversely, but with equal error, the father (William Hopper) of Jim’s future companion, Judy, has a very definitive sense of his daughter’s appropriate identity, of how she should present herself and behave. He repels her affections at the dinner table on the basis that she is too old to kiss him, his sense of her proper identity is determined by his knowledge of her emergent sexuality and the social mandate that he repress his attraction to her.

Download PDF sample

Rated 4.49 of 5 – based on 5 votes