Download American Cinema of the 2000s: Themes and Variations by Professor Timothy Corrigan, Anna Everett, Professor Sharon PDF

By Professor Timothy Corrigan, Anna Everett, Professor Sharon Willis, Professor Thomas Schatz, Linda Ruth Williams, Professor Dina Smith, Professor Bob Rehak, Professor Nora Alter, Professor Nigel Morris, Professor Karen Beckman, Dana Polan

The last decade from 2000 to 2009 is framed, at one finish, by way of the anxious disaster of the 9-11 assaults at the global exchange heart and, on the different, by way of the election of the 1st African American president of the U.S.. In among, the U.S. and the realm witnessed the speedy growth of recent media and the web, such traditional failures as typhoon Katrina, political uprisings world wide, and an immense meltdown of worldwide economies.Amid those crises and revolutions, American motion pictures replied in a number of methods, occasionally at once reflecting those turbulent occasions, and infrequently not directly couching heritage in conventional genres and tales. In American Cinema of the 2000s, essays from ten most sensible movie students study such renowned sequence because the groundbreaking Matrix movies and the gripping adventures of former CIA covert operative Jason Bourne; new, offbeat motion pictures like Juno; and the resurgence of documentaries like Michael Moore’s Fahrenheit 9/11.  each one essay demonstrates the complicated ways that American tradition and American cinema are certain jointly in sophisticated and hard methods.

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The result is a purely racist caricature. As the show gains in popularity, Delacroix’s collection of the type of early-twentieth-century black sculptures and figurines that would adorn white people’s homes grows. A mechanical “Nigger bank” that Delacroix’s assistant gives him after the first night is featured. By the film’s end such ornaments overpopulate his formerly pristine office. Their bulging eyes and mouths stare and smile at him in his final moments. Mantan and Sleep’n Eat’s comedy routine includes singing and dancing as well as the telling of lewd jokes.

Scott’s Gladiator calls for a return to less selfish ideals and a more just society. Just as ancient Rome is saved from the brink of disaster by the honorable Maximus, the film suggests that something similar could alter the course of destiny in the United States. Sadly, George W. Bush was no such hero, and the next decade made many yearn nostalgically for the nineties. The popularity of gladiator games and the public’s seemingly unquenchable thirst for violence and ever more elaborate bloodbaths serves as a bitter commentary on the power of distraction, the lust for spectacle, and the perversity of real-life politics.

Incidents such as the outbreak of mad cow disease in England, the discovery of black sludge in the Mississippi River, and studies indicating the melting of the North Pole icecap brought into focus the need for closer scrutiny of agriculture and the environment. Many films affirmed that even in a sea of corruption a grander spirit of idealism would triumph. Yet, for Americans, the single most important political event of the year was the controversial presidential election. It would set the course for the new millennium.

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