Download Adapting Chekhov: The Text and its Mutations by J. Douglas Clayton, Yana Meerzon PDF

By J. Douglas Clayton, Yana Meerzon

This ebook considers the hundred years of re-writes of Anton Chekhov’s paintings, proposing a large geographical panorama of Chekhovian affects in drama. the quantity examines the elusive caliber of Chekhov’s dramatic universe as an elaborate mechanism, an engine within which his enigmatic characters exist because the dramatic and mental ciphers we've been de-coding for a century, and proceed to do so. Examining the perform and the speculation of dramatic model either as intermedial transformation (from web page to level) and as intramedial mutation, from web page to web page, the book offers edition because the rising style of drama, theatre, and movie. This pattern marks the performative and social practices of the hot millennium, highlighting our epoch’s have to interact with the heritage of dramatic varieties and their evolution. the gathering demonstrates that model because the perform of transformation and as a re-thinking of routine dramatic norms and style definitions ends up in the rejuvenation of current dramatic and performative criteria, pioneering the production of latest traditions and expectancies. because the significant mode of the storytelling mind's eye, edition can construct upon and force the audience’s horizons of expectancies in theatre aesthetics. for that reason, this quantity investigates the unique and transformative wisdom that the tale of Chekhov’s drama in mutations bargains to students of drama and function, to scholars of recent literatures and cultures, and to theatre practitioners worldwide.

 

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Extra info for Adapting Chekhov: The Text and its Mutations

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135–45. Print. Frye, Northrop. Anatomy of Criticism: Four Essays. New York: Atheneum, 1970. Print. Gilman, Richard. Chekhov’s Plays: An Opening into Eternity. New Haven: Yale UP, 1995. Print. Gottlieb, Vera. Chekhov and the Vaudeville. Cambridge: Cambridge UP, 1982. Print. Kuyl, Ivo. “The Objectivity of Parody. ” 1894: European Theatre in Turmoil. Ed. Hub. Hermanns, Wessel Krul, and Hans van Maanen. Amsterdam: Rodopi, 1996. 138–48. Print. Liber, Vera. Review of Donka, a Letter to Chekhov. British Theatre Guide.

Print. Eco, Umberto. “The Author and His Interpreters. com. Web. 1 Jan. 2012. Experience in Translation. Trans. Alastair McEwen. Toronto: U of Toronto P, 2001. Print. Esslin, Martin. The Theatre of the Absurd. New York: Anchor Books, 1969. Print. Fuchs, Elinor. 4 (2007): 532–45. Print. Genette, Gérard. Palimpsests: Literature in the Second Degree. Trans. Channa Newman and Claude Doubinski. Lincoln: U of Nebraska P, 1997. Print. Hutcheon, Linda. “The Art of Repeating Stories. ” Performing Adaptations: Essays and Conversations on the Theory and Practice of Adaptation.

Materialy. Ed. A. S. Sobennikov Irkutsk: Izd-vo Irkut. Gos. Un-ta, 2008. 75–86. Print. Esslin, Martin. ” A Chekhov Companion. Ed. Toby W. Clyman. Westport: Greenwood Press, 1985. 135–45. Print. Frye, Northrop. Anatomy of Criticism: Four Essays. New York: Atheneum, 1970. Print. Gilman, Richard. Chekhov’s Plays: An Opening into Eternity. New Haven: Yale UP, 1995. Print. Gottlieb, Vera. Chekhov and the Vaudeville. Cambridge: Cambridge UP, 1982. Print. Kuyl, Ivo. “The Objectivity of Parody. ” 1894: European Theatre in Turmoil.

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